By James Agee
My test at three hundred dpi, OCR'd, eight b/w pictures on the finish incorporated - quantity 2 comprises 5 movie scripts, a pdf already exists
Amazon quote: The lion's percentage of 'Agee on movie, vol. I', is dedicated to James Agee's paintings as a columnist for 'The Nation', the place he wrote approximately movie from 1942 to 1948. It isn't precisely transparent if this quantity comprises each column he wrote for that journal - nowhere is it pointed out by some means, and there are gaps within the dates attributed to the entries. that could be in basic terms simply because he didn't give a contribution to each factor, however it will be great to understand if this can be the entire fabric from this resource - an writer who premiums the Library of the United States therapy premiums a whole assortment. different sections of this quantity comprise some of Agee's weekly movie studies for 'Time Magazine' from 1941 to 1948, a few miscellaneous articles for 'Partisan Review' and 'Sight and Sound', and 'Life Magazine' beneficial properties - 'Comedy's maximum Era' and 'Undirectable Director'. the 1st of those good points bargains with the comedians of silent movie - Chaplin, Keaton, Langdon, and Lloyd; the second one issues John Huston. [....]
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My test at three hundred dpi, bookmarked and OCR'd, 20 pp. of b/w photographs incorporated on the end
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Extra info for Agee on Film, Volume 1: Essays and Reviews
There are other questions. Did the government urge the film on Warner Brothers? Is it federally subsidized or lend-lease? Are the sacred treatment of the President and the adroit suggestion that all isolationists were Republicans parts of a deal or mere good-will? We can only suspect, through rumor and internal inference, that the Stalinists here stole or were handed such a march that the film is almost describable as the first Soviet production to come from a major American studio. Almost, but not quite.
The Nation In the fall of 1942, James Agee was asked to do a movie column for The Nation. Margaret Marshall, then Literary Editor, gave him free rein to cover what he wanted and to write as he pleased. As a result of her understanding attitude, the reviews became the highly personalized expression of an extremely gifted and sensitive American artist. December 26, 1942 I wouLD like so to use this column about moving pictures as to honor and discriminate the subject through interesting and serving you who are reading it.
Margaret Marshall, then Literary Editor, gave him free rein to cover what he wanted and to write as he pleased. As a result of her understanding attitude, the reviews became the highly personalized expression of an extremely gifted and sensitive American artist. December 26, 1942 I wouLD like so to use this column about moving pictures as to honor and discriminate the subject through interesting and serving you who are reading it. Whether I am qualified to do this is an open question to which I can give none of the answers.